Art, Symmetry and the Human Body

finesse is cardinal of the most powerful, transcendent doer of communication. When faced with a progress to of device, an auditory modality may well-nigh clips find itself speechless and ineffectual to render an adequate response. This is because device speaks for itself. Art has the power to swallow its profess identity disregarding of the intentions the artist had when creating the fragment. Artist Kiki smith described this characteristic of art in an interview. She explained that, the thing close to art is, you sit roughly thinking about things, and then you make this object that has its own trajectory. Sometimes you have some control over it, simply your thinking about it is in truth a private dead body process (Smith Interview, 36). The creation of an artistic piece is a private enumerate; the intentions of the artist be mazed in the piece as it is left to speak for itself in the public eye. But, when art speaks it does so silently and its message is unvac cinated to changes overtime. What I mean by this is that art pees unlike relationships with different audiences and the message or humbug being shared by the art is as exchangeable as its audience. As time passes, society changes, people change, and so does art; especially the one-on-ones perception of art. \nThe bygone never dies but it does evolve. The core group foundation of art lead always be there. Art will always fend for the ability to relate learning to people without directly saying anything. What changes over time are the messages artists try to convey by dint of their artwork and the reactions they generate. One of the briny purposes of Greek artwork was to create an accurate display of the reputation of perfect symmetry in the humankind body and knock up this sense of natural human beauty within the audience when faced with the statue. The Canon is a sculpture of a nude standing male in which the perfectly symmetric and symphonious parts of the human bod y are accentuated in a sculpted figure and is an admonitory model of what the ancient Gr...