Film Overview - Amelie

In 2001, Jean-Pierre Jeunet directed the romantic comedy, Amelie, which hed write along with Guillaume Laurant. Amelie is an excellent congresswoman of several uses of film techniques. non only that, but it is a great film to sectionalization and show fragments of, including but non limited to its form, content, telephone exchange themes, and cinematic language and techniques. This storyline to a fault holds multiple implicit and hardcore meanings. The content of Amelie is just that. Amelie is the nidus of the film. She is the protagonist and her own resister at times as well. Jeunet uses editing to his advantage in this movie by including non-homogeneous close-ups and shots that dolly in. One of the central themes of the picture is Audrey Tautou (portraying Amelie), putting in her absolute best effort to enhance the lives of those around her, time making it look effortless. Although she is transaction with an intense amount of isolation, in her childhood it was how her l ife vie out and as she matured, closely more of a self-seclusion situation.\nIn the first few moments of the flick, the auditory modality becomes acquainted with the element of Amelies mother missing from the picture, repayable to a freak accident. She has a pet fish, which she perceives as a type of friend, gets released. She is surrounded by a small draw of individuals close to her, they dont completely empathize her. Amelie is alone.\nThe only life that Amelie knows is a life of loneliness, and this is something that she carries on with her. at that place is a scene in the film where Amelie is in a subway train station. The handler uses sounds from an old record player, which is held by a homeless man, and the echoes of footsteps to brand the mood for the moment. Bringing up the central theme of Amelie astir(p) the lives of others, she places a few coins in the homeless mans tin can. Amelie drops an object onto the prove which rolls over to a gentleman down the corrid or, causing her to hire an hallucina...